York audiovisual production

Clear guidance for studios, stages and live broadcast

We help television networks and live event teams plan studios, camera control, lighting and sound, and keep the whole production chain running smoothly.

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What we cover

Six areas of audiovisual production

Our work runs from the first studio sketch to the last cue of a live event. Each area is handled by someone who has done it on real productions, and each is explained in plain terms.

Studio design

Layout, acoustics and cabling plans for broadcast studios and small production spaces. We work from how your crew actually moves through a day.
Camera control

Setup and tuning of camera control units, remote heads and vision mixing. Multi-camera shoots stay consistent from the first rehearsal to transmission.
Lighting design

Lighting plans that balance look, safety and power for live stages and television sets. Rigs are drawn up with load and access in mind.
Sound and mixing

Audio chains, mixing desks and monitoring for festivals, concerts and studio broadcasts. We keep signal paths simple enough to fault-find quickly.
Workflow planning

Run sheets, signal flow diagrams and crew schedules for festivals and one-off broadcasts. Everyone knows their cue and who to call.
Guides and training

Written guides and workshops teaching crews practical audiovisual methods. Material is written for people who work with the kit, not for brochures.
Safe, tidy rigs

Cable routes, power distribution and rigging points are planned to keep crews and performers safe. Tidy installations are also quicker to repair under pressure.
Network and venue ready

We plan for television networks, venues and event companies of different sizes. The advice scales from a compact studio to a multi-stage festival.

Working scenes

The spaces and equipment we plan around

These scenes show the kind of environments our advice applies to, from studio floors to festival stages. Each one reflects a part of the production chain we help crews organise.

Studio floor with desk set and camera positions

Camera positions, desk placement and cable routes are decided together so the floor stays clear. Acoustic treatment is planned alongside the layout rather than added afterwards.
Vision mixing panel in a control room

A vision mixer and camera control panel need sensible labelling and a logical layout. We tune the setup so operators can switch shots confidently during a live show.
Concert lighting rig on trusses

Fixtures, trusses and dimmer power are drawn up as one plan. We check load and access so the rig can be built and struck safely.
Front-of-house mixing desk at a live show

A mixing desk, monitoring and signal chain set up for a festival stage. Channel lists and patching are written down so changeovers stay quick.
Backstage planning before a broadcast event

Crew leads go through run sheets and signal flow diagrams before doors open. Clear schedules reduce last-minute questions between departments.
Hands-on workshop with production kit

Trainees work directly with cameras, cables and audio gear during a workshop. The focus is on habits a crew can repeat on their own jobs.

Service in focus

Studio Design Consulting for broadcast spaces

This service is for networks, venues and production companies building a new studio or reworking an existing room. We start with how your team works, then plan layout, acoustics and cabling so the space supports that routine.

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Studio Design Consulting for broadcast spaces

Layout and sightlines: We map camera positions, set areas, desks and control room access on a floor plan. The aim is a space where crew can move freely and shots are not blocked.
Acoustic planning: Room treatment is chosen to control reflections and background noise for the kind of programmes you make. We explain what each measure does so you can decide what to fit first.
Cabling and infrastructure: Cable routes, patch points and power are drawn up so equipment can be added later without chaos. Labelled diagrams are handed over for your engineers.
Handover documents: You receive plans and notes your own installers can build from. We stay available for questions as work progresses, within what the enquiry agreed.

Bring floor measurements, photographs of the room and a list of the equipment you already own. A rough idea of programme types helps us plan sensibly.

How we work

From first conversation to a workable production plan

Every project begins with listening to how your crew works and what the production needs to achieve. We then move through a short sequence of steps, each one leaving you with something written down. The pace follows your schedule, not ours.

Enquiry and brief
You tell us about the studio, event or workflow and what is not working. We ask practical questions about space, equipment, crew size and timing so the scope is clear before anything is proposed.
What you leave withA shared understanding of what the job involves
Quotation
We confirm in writing what the work covers, what it costs and what could change the price. You can ask questions or adjust the scope before agreeing to anything.
What you leave withA written quotation you can accept or amend
Planning and design
Our specialists draw up layouts, lighting plans, signal flow diagrams or run sheets for your project. We check each plan against safety, power and how the crew will actually use it.
What you leave withDrawings, diagrams and schedules for your team
Setup and tuning
Where the work includes it, we help configure camera control, audio chains or lighting and test them with your crew. Problems are found in rehearsal rather than during transmission.
What you leave withEquipment configured and tested with your crew
Handover and training
We walk your team through the documents and settings, and can run a workshop on the methods used. Written guides stay with you for future productions.
What you leave withGuides and notes your crew can keep using

Guides

Recent writing from the workshop

All articles

28 October 2026 Studio Design

How to plan a small broadcast studio layout from an empty room

A practical walk through measuring a bare room, placing sets, desks and cameras, and leaving space for acoustics and cabling before any equipment is ordered.
27 October 2026 Camera Control

A Checklist for Reviewing Your Camera Control Setup Before You Commit

Helen Whitaker lists the questions worth answering about camera control units, remote heads and vision mixing before a multi-camera shoot is planned, so the decision rests on facts.
26 October 2026 Event Workflow

Five Run Sheet and Signal Flow Mistakes at Live Events

Most live event problems begin on paper, long before doors open. Here are five planning mistakes we see in run sheets, signal flow diagrams and crew schedules, and how to avoid them.

Talk to us about your production

Describe your project through the contact page, whether it is studio design, camera control, lighting, sound, workflow planning or training, and we will reply with the sensible next step.

Tell us what your studio, stage or broadcast needs

Contact

Ask for a quote

Write to us: hello@newsymph.net

Clear guidance for studios, stages and live broadcast

Six areas of audiovisual production

Studio design

Camera control

Lighting design

Sound and mixing

Workflow planning

Guides and training

Safe, tidy rigs

Network and venue ready

The spaces and equipment we plan around

Studio floor with desk set and camera positions

Vision mixing panel in a control room

Concert lighting rig on trusses

Front-of-house mixing desk at a live show

Backstage planning before a broadcast event

Hands-on workshop with production kit

Enquiry and brief

Quotation

Planning and design

Setup and tuning

Handover and training

Tell us what your studio, stage or broadcast needs

Ask for a quote

Get in touch